About

Amber Sterling is an art historian, curator, and researcher examining the artist-engineer creative experiments conceived by Experiments in Art and Technology (E.A.T.) during the 1960s. Her research also concentrates on intersections of sound and visual art, twentieth-century avant-gardes, and the aesthetics of materiality and ephemerality. She is currently pursuing an MA in Art History and an Advanced Certificate in Curatorial Studies at Hunter College, CUNY.

In 2024, she curated Beyond the Frame, on view at the Saddleback College Art Gallery from May 16 to May 23. She also served as the curatorial assistant for Virgil Ortiz: Revolution (2023), authoring the catalogue essay “Echoes of Resilience: Virgil Ortiz.” The exhibition highlighted Indigenous Futurism and the underrepresented histories of the 1680 Pueblo Revolt.

Drawing from her foundation in photography and academia, she sources and curates visual content for brands, photographers, directors, creative directors, and advertising agencies. She leverages expertise in digital and physical archives to identify distinctive visual materials that support each project’s creative vision. Her research and archival curation contributed to TASCHEN’s 75th Anniversary of Capitol Records, the official chronicle of the label’s history.

Previously, she served as the Creative Director of Photography for Capitol Music Group, where she oversaw 250 photo shoots while keeping the artist at the center of her work. She has over fifteen years of experience working across the arts and entertainment industry.

Press

Billboard Magazine, Woman of the Year Billboard Magazine

Foam Magazine, November Foam Magazine

Recognition

She earned a platinum RIAA-certified record for Katy Perry’s Teenage Dream, the second album to achieve five number-one singles and sell over 19 million copies.

Clients

Apple Capitol Music Group Melody VR Sony Music Group TASCHEN Warner Music Group


Sustainability

Sustainability Commitments

In 2025, she presented Building Sustainable Solutions at the College Art Association’s 113th Conference, highlighting systems-thinking frameworks for advancing environmental and social impact in museums and galleries.

Gallery Climate Coalition

Since 2023, she has been an active member of the Gallery Climate Coalition (GCC), an international community of arts organizations dedicated to reducing the sector’s environmental impact. The GCC’s primary goal is to facilitate a reduction of the sector’s CO2e emissions by a minimum of 50% by 2030.

Environmental actions to date include:

  • Use LED lighting and maintain a paperless office to meet California energy efficiency standards

  • Minimize carbon footprint from business travel and artwork shipping by optimizing routes

  • Stay informed on the latest sustainability solutions for the art sector

  • Pursue carbon neutrality through systematic operational changes

  • Engage sustainable event suppliers and use reusable serving ware

  • Host panels on energy conservation, sustainable practices, and recycled materials

To find out more about the Gallery Climate Coalition, please visit:

www.galleryclimatecoalition.org